Wednesday 9 February 2022

After Life Series 3 by Ricky Gervais. A Touching Portrait of Grief, Love and Friendship.

Here in the middle of February, I am almost experiencing  a state of hibernation, that's how I feel at this time of the year, with a continuous deluge of bad news that causes more uncertainty because of this, I decided to watch the third series of After Life, about grief. The series is about how good it is to be close to someone you love so much that when they have gone in this case it's very difficult to more on with your life.


In this series wife Lisa ( Kerry Godliman) an artist, who died from breast cancer has left behind a local journalist of the Tambury Gazette. His name is Tony (Ricky Gervais) and he is unable to move on,  who spends his evenings drinking wine with his dog and watching films of his wife on his laptop. He often chats to his friend  nurse Emma (Ashley Jensen) who fancies him and who hopes to get together with him. Emma works in a nursing home and looked after Tony's dad Ray (David Bradley) who has previously died of dementia. In the third series Tony lost both his wife and father. There is one particular scene where Tony draws a face on a lemon and shows it to Emma but she doesn't get the joke; the same joke that his wife would have understood. You feel his pain, how impossible it is to move on and replace someone you have been close to.



Grief is not an easy subject to portray, the stuckness of it and the monotony of daily routine, the evenings, and the heaviness of losing someone is shown very acutely, the depression looking at the past,  and the rage he expresses towards others but he is also free to say what he wants outside of social media which reminded me of the early 2000s. As  part of his job Tony interviews people in their houses for the Tambury Gazette. 


Every story even the most meaningless has value, from psychic Penny (Kate Robbins), to the elderly lady who had been burgled, to the swingers, and finally the children with cancer that give Tony a renewed sense of purpose. We first see him interviewing Penny who writes self-published erotic medical books. The way Tony interviews her is very funny, saying things like: Do you have any medical experience in writing this book? To which Penny replies that she doesn't need any experience! Tony quips, asking about who published her books she tells him she has self-published all these books and she now makes money as a psychic. What a hoot!

Tony's always makes fun of his brother-in-law Matt (Tom Basden) sometimes by playing pranks in the office. Matt is polite, mild mannered and is trying to find a sport he can beat Tony at. He tries tennis, table tennis, and squash but Tony always trashes him, I think he is also trashing his social class, which is funny.

Kath (Diane Morgan) is Tony's colleague at the Tambury Gazette. She is single and looking for love and regularly goes on dreadful dates. Sometimes her dates are truly awful, sometimes she pretends  to be something socially that she is not when she is on her dates, or she doesn't know what to say which is quite common when you go on dates with people you don't know. Her attempts to meet someone are both awkward and funny.

Postman Pat (Joe Wilkinson) went out with Tony's friend the sex worker Roxy but she doesn't appear in the series. We see Pat regularly ringing  at Tony's door completely oblivious to any boundaries, saying he can't cope with Roxy's job, and the fact that he has to share her with all the men he delivers the post to, it's tragic and funny.

Anne (Penelope Wilton) the widower who regularly meets up with  Tony on a bench opposite  his wife's grave, and are very convivial  with each other, it's a joy to watch.

The characters represent everyday England, not the handsome, wealthy people with successful lives but the people on the side-lines that you don't see in the main media in their daily lives. The divorced hoarder, Brian (David Earl), and his friend James (Ethan Lawrence) have a strong friendship. James  wants to work as an actor but doesn't get any parts apart from a stint at the local fair towards the end of the series. He still lives at home with his parents. Because of the pandemic and losing their jobs, I know a lot of people that went back to live with their parents to save money, is more common than you think.

Or the new employee, Coleen (Kath Hughes), who used to work in a supermarket in the previous series, and who is not really qualified for the job but gets it. She is looking to get away from her alcoholic mother, and goes around with Tony looking at accommodation to suit her budget, but she sees atrociously small accommodation - this is the real England the main media doesn't want you to see it. Then she gets a room above the local talent agent's office and the head of the local drama company, Ken (Colin Hoult), who helps her out and who keeps barging into her space with his over-the-top personality, it's very funny and very real.

Some critics say the characters represent eccentrics, but actually they represent normal people not seen enough in the main media, with their faults, problems, and flaws open for all to see. This is the strength of the series. It seems also that Tony's rage is directed towards the four by four guy who doesn't stop at  zebra crossings, at the well-off young hipster guy with a child, who he makes funny loud noises to in the cafe while the underdogs are the main characters. 

What shines in the series is the friendship between the characters, the fact that they are there for each other no matter their flaws and what is going wrong. It is very humane, the way Tony's grief and depression are shown,  and how hard it is to push through these, is very touching.What transpires from the series  is Ricky Gervais' love of comedy, animals, art and music, which are all represented in the programme. 

Above photographs courtesy of Netflix.

Sunday 9 January 2022

My New B&W Photographs + More Support Needed for Disabled People in the Arts.




For the start of 2022 I decided to post my new black-and-white photographs. I am happy to say that even if 2021 was a challenging year, I was able to make more work, both in terms of paintings, installations, sculptures and photography. I would like to thank my collectors for supporting my work during the pandemic. Due to the pandemic, I hear from musician friends of mine and other artists that have been fewer opportunities to exhibit or play music in public; hopefully things will improve with the pandemic and restrictions easing. The Christmas period was much better than the previous two years with no building work opposite me and I was able to see my friends - it felt like a return to some sort of normality. 



There is also a problem with some galleries not supporting artists with disabilities, I think a lot of people with disabilities struggle to showcase their artwork, if they don't know someone who is tech savvy, business orientated or are not tech savvy themselves. Some disabled people have complex needs, which might make it very difficult for them to successfully promote their work to galleries; others find themselves in a highly competitive art world, where  how you look, and how you speak is more important than your actual work. I have seen time and time again artists who are very good at talking about their work and themselves, basically promoting themselves getting all the support from galleries, collectors while other more introverted  artists with better artwork not doing so well. 


Than there are artists who successfully sell online on different platforms but again it requires them to have the basics: a decent laptop connection, a space where you store artwork,  a decent phone with a decent camera to constantly upload content to your online platform - none of the above comes cheap. Nowadays some galleries only accept artists with an Instagram account  - isn't this discriminatory? You might find that some people with disabilities are low waged and don't have access to any of the above, making it really difficult for them to compete with other non-disabled artists in the art world. Very few disabled people actually get any support to promote their artwork to allow them to do well  no matter what age and background they have, and no matter what kind of disability - visible or invisible - they have. While there are many disabled artists, the funding to support them has been squeezed time and time again, so in the end it will only be available to few disabled artists while the rest are left to fend for themselves or with support from their families if they are lucky. This situation has gotten worse with the pandemic.


I am grateful that I can continue in my artistic endeavours thanks to my own stubbornness in going forward and to my collectors who believe in me and my artwork even if I am an esoteric artist - they tell me that they find my artwork stimulating and that I never fail to amuse them. They admire my tenacity in keeping my artwork going no matter what, even if I have continuos dizziness most of the time, so even making conversation takes a lot of energy and focusing on objects or people it's challenging, especially when taking photographs as everything is moving for me. 


In the past year, and most recently, I have been continuing to take black-and-white photographs with different cameras. Most of them don't include people this was because many were taken during restrictions; others were taken when I was away experiencing freedom again and actually saw some real human beings!